Closer Than We ThinkBrett Ryan Bonowicz

A wonderful voyage of discovery through the life and work of the forgotten illustrator Arthur Radebaugh. He caused a furore in the mid-1950s with his beautiful illustrations of a utopian future full of technology. As a matter of fact, his work inspired the festival poster of DOCVILLE. Through interviews and archive footage we search for the man who always had his eye on the future but - paradoxically - fell behind. His tragic journey from progressive spirit to relic of a distant past says something about the fragility of any form of Futurism.

Radebaugh started his career as an illustrator for the car industry in Detroit, but with time artists were increasingly replaced by photographers. Radebaugh threw himself into a new passion and began to illustrate a high-tech future world. His comics full of flying cars, jet packs and futuristic buildings appeared in over 200 newspapers from 1958 to 1963. His detailed drawings represent the optimistic faith in progress of the mid-20th century, a bold belief that technological progress will create a great world in the not-so-distant future. Some of his predictions have become reality, others have become obsolete and mostly an example of his own zeitgeist. The man who always had his eye on the future paradoxically became outdated: both his favorite medium and his vision of the future went out of style. The limited recognition he received melted away, his wife burned his work after his death, and Radebaugh was forgotten. This changed when Director Bonowicz fell under the spell of this mysterious figure and his aesthetic, which now mainly evokes nostalgia instead of a progressive vision of the future.


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Brave new docs

Denken over de toekomst is onlosmakelijk verbonden met dromen. Paradoxaal genoeg worden toekomstdromen en -idealen bepaald door de bekommernissen in het heden. De utopische dromen van midden van de 20ste eeuw - doorspekt met een vertrouwen dat technologie alles beter zou maken - gingen meestal over een toekomst met meer comfort, vrijheid en efficiëntie. Zo werd er gedroomd van vliegende auto’s en huishoudrobots. Later speelden ecologie en gezondheid een hoofdrol, met een focus op nieuwe energiebronnen en hoogtechnologische medische toepassingen. De toekomstdromen van elk tijdperk worden vaak vertaald in immense, soms megalomane, projecten. Maar ook op filosofisch en maatschappelijk vlak is er een voortdurende spanning tussen dromen van verandering en de tegensputterende, hedendaagse realiteit. Maar ondanks alles blijft ‘de toekomst’ de grote, ongrijpbare liefde van de mens.



Visions of the future Art Kunstmatige stad

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Directed by Brett Ryan Bonowicz
U.S.
2017 85 min.
English
No subtitles


Programme

Brave new docs

credits
Director

Brett Ryan Bonowicz

Cinematography

Marco Cordero

Editing

Brett Ryan Bonowicz

Music

Jason Kupfer

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