Awards DOCVILLE 2026

The 22nd edition of DOCVILLE attracted over 10,000 visitors, organised dozens of panel discussions and hosted a series of Q&As. There was the second series of VRT CANVAS Talks, Brain Day and the second RockVille edition. Major crowd-pullers this year included Mariinka, Uprooted – Five Women Against a Colonial Crime, My Word Against Mine, Phenomena and Team Rudy.

INTERNATIONAL JURY AWARD

A Fox Under a Pink Moon (Mehrdad Oskouei, Soraya Akhalaghi) clearly moved the jury: “It’s rare to see a film where lyrical storytelling, a powerful character and a deeply urgent topic meet”.

Director Mehrdad Oskouei weaves together the sometimes confrontational footage filmed by Soraya herself with political news from Afghanistan - Soraya’s country of origin - as well as her drawings and surrealistic animations. Soraya was actively involved in every stage of the filmmaking process, turning this stunning documentary into not only a layered portrait, but a vital lifeline for her. As she puts it herself: “At first, the camera felt like a cold witness, but gradually it became a friend. A confidant I desperately needed”.
 
The jury dedicated a special mention to Kabul, Between Prayers.

TOPICS AWARD

In the Topics competition, Nima Sarvestani’s Surviving the Death Committee won over the jury: “The filmmakers have succeeded in giving the victims a voice and exposing the inhumanity of the perpetrators. This is more relevant than ever today, in light of events in the Middle East”.

In 1988, thousands of political prisoners were secretly executed in the Islamic Republic of Iran and buried in mass graves. In 2019, several Iranians now living in Sweden manage to trace a key figure of Iran’s so-called “death committee”. Through a carefully devised ruse, they lure him to Sweden in order to have him arrested. Together with former political prisoner Iraj Mesdaghi, Sarvestani gathered evidence for years. Their perseverance led to the historic trial in Stockholm, which this gripping documentary recounts.

The jury also had an honourable mention for My Word Against Mine by Maasja Ooms.

BELGIAN COMPETITION

The jury decided to award Mariinka by Pieter-Jan De Pue, which also served as the festival’s opening film, the prize for Best Belgian Documentary. Their reasoning: “its exceptional ability to portray the ongoing war in Ukraine through an intimate, multi-layered and visually striking coming-of-age story”.

Exactly 10 years after his debut, the renowned The Land of the Enlightened, director Pieter-Jan De Pue returns to DOCVILLE. That's how long it took to make the epic Mariinka. Through letters, video calls, and silent encounters, a story unfolds about connection, national loyalty, and the fault lines through which political conflicts can even trump blood ties.

With his follow-up, De Pue once again proves himself to be an exceptional storyteller and filmmaker who knows how to anchor timeless themes in harsh social reality, resulting in premieres at DOCVILLE and CPH:DOX. 

An honourable mention goes to Volkan Üce, the filmmaker that made 2m².

SCIENCEVILLE COMPETITION

Finally, Tasha Van Zandt’s A Life Illuminated takes home the Award for Best Science Documentary. The jury praised the combination of stunning imagery and a personal story brimming with scientific curiosity.

As one of the first women in her field, Edith Widder transformed our understanding of the deep sea: once considered a dark and barren void, it is now recognized as a vibrant world filled with life and light. Widder became the first person to film bioluminescence in the deep ocean and a leading expert on this phenomenon that enables life to communicate in darkness.

The Jury also had a special mention for B.F. Skinner Plays Himself by Theodore Kennedy.

SUMMARY

JURY AWARD FOR BEST BELGIAN DOCUMENTARY

Mariinka by Pieter-Jan De Pue
€2.000 donated by SABAM
Jury: Joyce Palmers, Charissa Dechène en Charel Muller

JURY AWARD FOR BEST INTERNATIONAL DOCUMENTARY

A Fox Under a Pink Moon by Mehrdad Oskouei & Soraya Akhalaghi
VRT CANVAS buys the rights to broadcast the film. This award is Academy Award (TM) Qualifying.
Jury: John Dower, Anne-Lore Vanderhallen en Camille Ghekiere

​​TOPICS AWARD

Surviving the Death Committee by Nima Sarvestani Talankin
€1000 geschonken door DOCVILLE
Jury: Frits Buijs, Reinhilde Weyns, Jimmy Hendrickx

​​BEST SCIENTIFIC DOCUMENTARY

A Life Illuminated by Tasha Van Zandt
€1.000 awarded by DOCVILLE
Jury: Neal Heartman, Katleen Gabriels, Maria Stuut

NATIONALE LOTERIJ AUDIENCE AWARD

The audience award will be announced after the final screenings.

Save the date: DOCVILLE 2027 takes place from 17 March to 25 March 2027.

JURY STATEMENTS

INTERNATIONAL COMPETITION

It’s rare to see a film where lyrical storytelling, a powerful character and a deeply urgent topic meet.

We were struck by a story of unstoppable creative power in the face of the most destructive circumstances, where pain is transformed into creative force by a young female artist.

The film is at once a coming-of-age tale, a refugee story, and the (self)portrait of a young female artist of extraordinary talent.

We award A Fox Under A Pink Moon with the International Jury Award.

A film with extraordinary access to a Taliban fighter that then observes him in a such an ordinary, everyday, way. It’s a bold approach, with the steady, matter-of-fact gaze revealing 23 year old Samim - despite his dream of becoming a suicide bomber - to be just very ordinary. Alongside his two younger brothers it’s an unexpected portrait of lost men. A special mention for Kabul, Between Prayers

SCIENCEVILLE COMPETITION

This film presents the story of an inspiring but probably little-known researcher that was driven by a lifelong conviction that she could make a difference in how people see the world. Its stunning visuals combine with a story that that is at once deeply personal but equally driven by scientific curiosity. Her readiness to be “willing to fail” leads her finally to ultimate success, which we hope will inspire young people who want to pursue a scientific career.

The film gives much needed attention to the challenges that female scientists face and the hardships that they encounter throughout their careers. The award for best science documentary goes to A Life Illuminated.

The jury awards an honourable mention to a film that is an audacious, unconventional, and refreshing look into a researcher who is known around the world, but little appreciated.

This film offers a multilayered insight into the human condition and behavioural psychology through the eyes of a scientist, while at the same time hinting at how the same mechanisms play out in the film making process itself.

The parallels that can be drawn from the archival material to contemporary issues are open for the viewer to interpret, taking its audience seriously whilst staying playful and innovative. The subject’s research takes on a significance he would never have imagined. The honourable mention goes to… B.F. Skinner Plays Himself.

BELGIAN COMPETITION

Spanning over a decade of dedication, the film stands as a testament to long-term artistic commitment. De Pue’s use of analog cinematography—at times shooting in active trenches with a 16mm camera—results in images that are both raw and hauntingly poetic. The texture of the medium deepens the sense of time, memory, and fragility that runs throughout the film.

Through meticulous editing, past and present are interwoven: scenes of devastation collide with almost dreamlike and hopefull fragments from earlier years, creating a disorienting yet profoundly affecting temporal landscape. This interplay not only reflects the rupture caused by war, but also the persistence of youth, friendship, and memory against it.

At its core, Mariinka is a coming-of-age story shaped under extreme circumstances. It reveals multiple layers of what it means to grow up in a war zone—where violence becomes routine, where war risks turning into a job, even a purpose in life when all else is taken away, and where the boundaries between survival and identity blur. The film captures the complexity of these lived realities without simplification.

Beyond its immediate context, the film resonates as a broader metaphor for contemporary society: a world marked by loneliness, division, and systemic injustice. Yet within this, it foregrounds connection—how bonds are formed beyond blood ties, how shared experience forges a sense of brotherhood and sisterhood, and how, despite everything, human empathy persists. All mothers, the film reminds us, carry the same pain. (Loved that quote in the beginning)

Importantly, this is not a closed story. The war continues, and so do the lives within it. Mariinka remains open-ended, reflecting a reality that is still unfolding—sadly not only in Ukraine, but as a warning of a fragility that extends far beyond its borders.

For its powerful synthesis of form and content, its emotional and political depth, and its unwavering commitment over time, the jury honors Mariinka as a work of urgency and cinematic precision.

We would like to give a special mention to a film that masterfully walks a tonal tightrope. Like its charismatic protagonist, it approaches a heavy, emotional, and universal subject with both lightness and sensitivity.

At the same time, the film engages with themes of the transgenerational impact of migration, transnational identity, and the search for belonging within a community. It also reflects on how grief—and the rituals surrounding it—has increasingly become entangled in our capitalist systems.

For making us reflect on a topic many prefer to avoid, and for striking a compelling balance between humor and authentic storytelling, this special mention goes to Volkan Üce for 2m².

TOPICS COMPETITION

The jury would like to emphasise, first and foremost, that all the films selected for the Topics category demonstrate just how powerful and urgent the documentary genre is and remains. Many documentaries demonstrated that historical traumas can and must serve as a wake-up call for today. Others highlighted the power of “activism” in the pursuit of justice and the protection of democracy. But they also showed how activism is increasingly being silenced at all levels.

An outlier in this series was the film that, in a very personal, intimate way, reveals the vulnerability of people struggling with hearing voices. The film My Word Against Mine deeply moved the jury because of its extremely understated style, which gave us a unique and respectful glimpse into the daily inner struggle of those portrayed, and we therefore wish to give this film a special mention.

The jury prize in this category goes to the Swedish film by Nima Sarvestani: Surviving the Death Committee. We follow victims of mass executions and torture in Iran who, years after the events, use a ruse to lure their torturer to Sweden. Director Nima Sarvestani, whose own brother was murdered by the “Death Committees,” seeks justice through this film. They, the victims, want to process their trauma by having the perpetrator prosecuted in court.

The film stands out thanks to its editing and structure, which cut to the heart of the matter. The tension in the courtroom—where the perpetrator continues to defend the regime in Iran in the face of the victims’ harrowing testimonies—is bone-chilling. The unexpected outcome and anticlimax at the end of the film highlight the complexity of legal frameworks within a geopolitical reality. The filmmakers have succeeded in giving the victims a voice and exposing the inhumanity of the perpetrators. This is more relevant than ever today in light of the events in the Middle East.